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Editorial
• PCT Director’s Letter
• News & Noticeboard
• News Special: Arts Council England National Portfolio



Moving Parts Caroline Astell-Burt
Vision On Liat Rosenthal at Manipulate
Puppetry Snax Alexander Winfield


Reviews
London International Mime Festival


Dorothy Max Prior
Editor

John Ellingsworth
News Editor/Subeditor

Editorial group:
Penny Francis
Contributing Editor/ PCT Board Representative
Matthew Isaac Cohen Contributing Editor
Linda Lewis
PCT Director
Emma Leishman
PCT Administrator
Beccy Smith
Darren East

Gabriel Foster Prior
Designer

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The views expressed or opinions stated in Animations Online are those of the writers and not necessarily those of the publisher, Puppet Centre Trust. Reasonable care has been taken to ensure that information is correct, but no liability will be accepted for any errors which may occur.
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Welcome to Animations!
Animations is a quarterly online magazine run by the Puppet Centre Trust. It is a voice for contemporary puppetry and related arts, offering discussion and debate, reviews, and news from the puppet community and elsewhere – an essential read for anyone interested in puppetry in all its diverse manifestations. Animations Online aims to represent the full spectrum of professional practice, from traditional puppetry to experimental visual theatre using puppetry or animation.

Features for this edition are Moving Parts by Caroline Astell-Burt of the London School of Puppetry, which reflects on how Laban Movement Analysis can be applied to puppetry; Vision On, a report from the Manipulate Festival of Visual Theatre 2011, including an interview with artistic director Simon Hart; and a personal perspective on PCT’s Puppetry Snax, by participant Alexander Winfield.

The News section is the place to read the latest from puppeteers and puppet-theatre companies, venues and festivals, and also to catch up on training opportunities and events. We include a special news item on the recent Arts Council England National Portfolio decisions. Our Editorial includes reflection on these decisions, and the impact on UK puppetry and visual theatre.

Our Reviews section includes the London International Mime Festival 2011 and Shona Reppe’s appearance at the Barbican.

In the PCT Director’s Letter you can learn about recent Puppet Centre Trust activity and future plans.


Should there be anything you’ve missed in previous editions, please take a look at our Archive, which has a user-friendly Search facility.

As always, your feedback is very welcome. We look forward to hearing your news, views and suggestions for future content.
Please send press releases, news items, and suggestions for editorial content to: animationsonline@puppetcentre.org.uk

 


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Main image:
Faulty Optic, Flogging a Dead Horse
Image strip, left to right:
Teatro Corsario, La Maldición de Poe; Alexander Winfield; Matthew Robins; Little Angel Theatre, The Tempest
Bottom image:
Matthew Robins

 

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